Call for Work

Women on the Net(work)

VOICES

Voices to the left

to the right

near

and far

rise up and be numbered.

Resurrect the voices past and present,

those lost from constant screaming,

those buried in layers of silence.

Summon them to rise as phoenixes

and proclaim

"I am woman." I, am woman.

--Tanya Manning

"Women on the Net(work)" is the focus for inter\face's tenth issue (coming Spring 1995). This issue is especially dedicated to providing women writers an electronic forum for the multiplicity of their voices. Metaphorically the title "Women on the Net(work) stands for the magazine operating as a net to catch the multiplicity of writings by women that may typically go unknown.

The search for subjects and forms of discourse are unrestricted. Whether you write in a "technological/mechanical" voice or "renaissance/romantic" style, we're interested. Whether your poems or stories are of topical relevance to politics or race relations, women's rights or women's magic, sexual orientation or erotica, or anything unmentioned, we want you to contribute your work.

The criteria for this issue is simple. To preserve the writer's integrity and promote the writer as publisher, editing of content is minimal. In the spirit of accepting "contributions" as opposed to "submissions," we believe in your right as a writer to say whatever you want to say in the way you want to say it. However, we do ask of you to limit for publishing fairness your contributions to three separate pieces. Please send your entries no later than February 14, 1995 to interfac@cnsunix.albanu.edu. For more information, please contact Tanya Manning at TM5498@cnsvax.albany.edu.

CALL FOR WORK

Mind Work: The ends of the interface.

inter\face 12

Fall/Winter 1996

inter\face is

a

connection of minds / separation of minds

through

variation in space & time

met

in the ethereal / technological

transmission of thought

Please send your contributions to interfac@cnsunix.albany.edu. Visit http://www.albany.edu/~interfac for back issues and more information. Thank you. Benjamin H. Henry, editor.